The Void (2016): The battle between SFX and storybuilding (no spoilers)

I recall film critics' initial reactions when The Void first premiered at the festivals around 2016. This reaction was that of an overwhelming support and enthusiasm. It seemed as if The Void was going to follow the success of movies such as It Follows (2014), The Babadook (2014) or even The Neon Demon (2016). Although each of... Continue Reading →

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